Nick's Flick Picks: The Blog
A film blog under the influence
Not me, my computer. In shop till at least Tuesday. Am stuck with miserable dial-up connection. Did not know could become such high-speed princess in three months' time after six years of dial-up, but feel helpless, suffocated. More content updates to come ASAP once lovely broadband restored, including write-ups of lurid Saw II, huge letdown of Jarhead, and utter catastrophe of Shopgirl (speaking of "ailing").
posted by NicksFlickPicks at 11:06 AM
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Dr. S said...
Another F! Yes!!
I tried dial-up for the first few weeks I was here, but after having had broadband for the whole previous year I found that I couldn't go back without spending an inordinate amount of time just staring at the computer, waiting for it to download big things. So: I feel your pain. Sorry that the computer is continuing to ail. It seems wrong that computers are built with such a short lifespan that they start dying after only a few years.
tim r said...
As a confirmed broadband (now wireless broadband) princess, I pity your plight Nick. This too shall pass!
goatdog said...
Shopgirl an F? I can't wait to see this. Damn your dialup connection for making me wait on this! (While I didn't think it was stellar, I thought it was passable.)
Dr. S said...
Oh, also: my students who are in England and have seen the new Pride and Prejudice tell me that it's really solidly good. I've never gotten the sense that filmizations (a word I learned this weekend from The Snake Pit!) of 19thC novels are necessarily your thing, but at least there's some word from people whose tastes I don't distrust that something good is coming down the pipeline. In case that offers any hope. Also, the preview for Derailed makes it look pretty darned good, and scary as hell.
tim r said...
P and P is really not bad at all.
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MY PROFILE THE LATEST THE BEST THE FAVORITES THE WOMEN THE REST |
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| The Movies of 2012: |
136 | |
| Amour | A | |
| Anna Karenina | C | |
| Argo | C+ | |
| Barbara | B | |
| The Central Park Five | B | |
| Detropia | B | |
| Django Unchained | C | |
| End of Watch | B– | |
| Flight | B– | |
| Girl Walk // All Day | B | |
| The Guilt Trip | C | |
| Hitchcock | D | |
| The Hobbit: An Unexpected Journey | C– | |
| Holy Motors | A– | |
| How to Survive a Plague | A– | |
| Hyde Park on Hudson | F | |
| The Impossible | C+ | |
| Life of Pi | B+ | |
| Lincoln | B+ | |
| The Loneliest Planet | B | |
| The Master | B | |
| Middle of Nowhere | B+ | |
| Les Misérables | D– | |
| On the Road | C+ | |
| The Perks of Being a Wallflower | B+ | |
| Rust and Bone | B– | |
| The Sessions | C+ | |
| Silver Linings Playbook | C+ | |
| Sister | B+ | |
| Skyfall | C+ | |
| Starlet | A– | |
| This Is 40 | D+ | |
| Zero Dark Thirty | B | |
| Coming Attractions: | ETA | |
| Any Day Now | Landed | |
| Promised Land | Landed | |
| Feature Films: | 19 | |
| Antiviral | B+ | |
| The Bella Vista | A– | |
| Beyond the Hills | B– | |
| Clip | B– | |
| The Final Member | B | |
| Hemel | C– | |
| Holy Motors | A– | |
| Keep the Lights On | B | |
| Like Someone in Love | B+ | |
| Mekong Hotel | B | |
| Once Upon a Time Was I, Verônica | B– | |
| Out in the Dark | C | |
| Paradise: Love | B+ | |
| Reality | B– | |
| The Repentant | B– | |
| Room 237 | D+ | |
| The Three Disappearances of Soad Hosni | B | |
| War Witch | B+ | |
| Westerland | C– | |
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| B+ | |
| D | |
| B | |
| C+ |
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Fifty Key American Films ($27/pbk), new from Routledge,
edited by Sabine Haenni and John White.
Includes my essays on
The Wild Party,
The Incredibles, and
Brokeback Mountain. Intended as both a newcomer's guide to the terrain
and a series of short, exploratory essays about such influential works as The Birth of a Nation, His Girl Friday, Sweet Sweetback's Baadasssss Song,
Taxi Driver, Blade Runner, Daughters of the Dust, and Se7en.
The Cinema of Todd Haynes: All That Heaven
Allows ($25/pbk), new from Wallflower Press, and distributed in the USA by Columbia University Press. Includes the essay
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More, too, on Poison, Safe, Far From Heaven, and all the rest of Haynes' films by Alexandra Juhasz, Marcia Landy,
Todd McGowan, James Morrison (ed.), Anat Pick, and other scholars. "A collection as intellectually and emotionally
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Film Studies:
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film scholar and teacher Amy Villarejo finally gives us the quick, smart, reader-friendly guide to film vocabulary that every
teacher, student, and movie enthusiast has been waiting for, as well as a one-stop primer in the past, present, and future of film production, exhibition,
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the book commits itself at every turn to the artistry, politics, and accessibility of cinema.
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since 5.27.05 |
