Nick's Flick Picks: The Blog: Trailer Heaven

Friday, November 02, 2007

Trailer Heaven

From here until the end of the year, give or take a couple of exceptional performance possibilities and technical gambits here and there, I'm basically living for I'm Not There, No Country for Old Men, and There Will Be Blood, the last of which just released an unbelievably nervy and gorgeous trailer. We've all seen sensational trailers yield limping movies, but this one sure seems to augur really, really, really well, don't you think? (Yeah, really well! Ha-ha! Mwa-ha! Mwaaa-ha-ha-ha-ha-ha-haaa....!!!)

(Photo © 2007 Paramount Vantage/Miramax Films)

3 Comments:

Dr. S said...: "With these...people."

Aaah! Mwahahaha!; 5:02 AM, November 03, 2007
tim r said...: Tremble ye. I love the throat-clearing at the beginning. And I'm expecting to really like Dano -- it looks like he's expanding on his crazy fundy bit from The King...

Any word on the dread flat move?; 7:11 AM, November 03, 2007
Calum Reed said...: Wow. 100th movie of the year. Busy boy :-P; 3:39 PM, November 03, 2007

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The Desiring-Image: Gilles Deleuze and Contemporary Queer Cinema ($30/pbk). By Nick Davis. Oxford University Press, 2013. The book that earned me tenure at Northwestern. Offers a new theoretical model of queer film, born from Gilles Deleuze's rarely-integrated notions of cinema and desire. Chapter-length readings of Dead Ringers, Naked Lunch, Shortbus, The Watermelon Woman, Brother to Brother, Beau travail, and Velvet Goldmine, plus other films along the way! Written for a scholarly audience but hopefully interesting to anyone curious about recent cinema, ideas about desire, or LGBT aesthetics and politics. "Important and needed work...Deeply original." —D.N. Rodowick, "Seductive in its intellect and humbling in its prose." —Michele Aaron

Reading the Bromance: Homosocial Relationships in Film and Television ($32/pbk). Ed. Michael DeAngelis. Wayne State University Press, 2014. Academic pieces that dig into recent portraits in popular media, comic and dramatic, of intimacies between straight(ish) men. Includes the essay "'I Love You, Hombre': Y tu mamá también as Border-Crossing Bromance" by Nick Davis, as well as chapters on Superbad, Humpday, Jackass, The Wire, and other texts. Written for a mixed audience of scholars, students, and non-campus readers. Forthcoming in June 2014. "Remarkably sophisticated essays." —Janet Staiger, "Essential reading for anyone interested in contemporary models of gender and sexuality." —Harry Benshoff

Fifty Key American Films ($31/pbk). Ed. Sabine Haenni, John White. Routledge, 2009. Includes my essays on The Wild Party, The Incredibles, and Brokeback Mountain. Intended as both a newcomer's guide to the terrain and a series of short, exploratory essays about such influential works as The Birth of a Nation, His Girl Friday, Sweet Sweetback's Baadasssss Song, Taxi Driver, Blade Runner, Daughters of the Dust, and Se7en.

The Cinema of Todd Haynes: All That Heaven Allows ($25/pbk). Ed. James Morrison. Wallflower Press, via Columbia University Press, 2007. Includes the essay "'The Invention of a People': Velvet Goldmine and the Unburying of Queer Desire" by Nick Davis, later expanded and revised in The Desiring-Image. More, too, on Poison, Safe, Far From Heaven, and Haynes's other films by Alexandra Juhasz, Marcia Landy, Todd McGowan, James Morrison, Anat Pick, and other scholars. "A collection as intellectually and emotionally generous as Haynes' films" —Patricia White, Swarthmore College

Film Studies: The Basics ($23/pbk). By Amy Villarejo. Routledge, 2006, 2013. Award-winning film scholar and teacher Amy Villarejo finally gives us the quick, smart, reader-friendly guide to film vocabulary that every teacher, student, and movie enthusiast has been waiting for, as well as a one-stop primer in the past, present, and future of film production, exhibition, circulation, and theory. Great glossary, wide-ranging examples, and utterly unpretentious prose that remains rigorous in its analysis; the book commits itself at every turn to the artistry, politics, and accessibility of cinema.

Picture Noms % Seen:	97%
Dead End	A
Friendly Persuasion	C+
Gandhi	C+

Director Noms % Seen:	96%
The Crowd	A
Sabrina	B–
I Want to Live!	C

Actress Noms % Seen:	100%
A Star Is Born ('54)	A
The Country Girl	B–
The Letter ('29)	B

Actor Noms % Seen:	91%
Dr. Jekyll and Mr. Hyde	A–
Champion	B
The Affairs of Cellini	C

Sup Actress Noms % Seen:	100%
Broken Lance	C+
The Bachelor Party	B
Paper Moon	B+

Sup Actor Noms % Seen:	91%
The Day of the Locust	C
Juarez	C+
The Paper Chase	D

Cinematography Noms % Seen:	69%
King Kong ('76)	C–
Shanghai Triad	B
Earthquake	D+

Screenplay Noms % Seen:	76%
The Strange Love of Martha Ivers	D
The Bachelor and the Bobby-Soxer*	B
Boomerang!	C+

Chicagoans! This site doesn't even accept advertising, but I'm making an unsolicited exception for the best, freshest, most affordable meal you can enjoy in the Loop, at any time of the day, whether you're on the go or eager to sit. Cuban and Latin American sandwiches, coffees, pastries, salads, shakes, and other treats. Hand-picked, natural, and slow-cooked ingredients. My friendly neighborhood place, a jewel in my life even before the Reader and Time Out figured it out. Visit!

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Watch this space! Chicago has a new, exciting, important, and totally accessible cadre of queer film critics who are joining forces to bring screenings, special events, and good, queer-focused movie chats to our fair city. Read our mission! Stay tuned for events! Cruise the website, and help get this great new group off the ground by enrolling as a friend (it's free!) and by asking how you can help.



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Nick's Flick Picks: The Blog

Friday, November 02, 2007

Trailer Heaven

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