'River' Queen
Labels: Festivals, IndyFF08, Movies 2008
A film blog under the influence
Labels: Festivals, IndyFF08, Movies 2008
posted by NicksFlickPicks at 4:15 PM
|
|
---|---|
MY PROFILE THE LATEST THE BEST THE FAVORITES THE WOMEN THE REST |
Follow @NicksFlickPicks | |
The Desiring-Image: Gilles Deleuze and Contemporary Queer Cinema ($30/pbk). By Nick Davis. Oxford University Press, 2013. The book that earned me tenure at Northwestern. Offers a new theoretical model of queer film, born from Gilles Deleuze's rarely-integrated notions of cinema and desire. Chapter-length readings of Dead Ringers, Naked Lunch, Shortbus, The Watermelon Woman, Brother to Brother, Beau travail, and Velvet Goldmine, plus other films along the way! Written for a scholarly audience but hopefully interesting to anyone curious about recent cinema, ideas about desire, or LGBT aesthetics and politics. "Important and needed work...Deeply original." D.N. Rodowick, "Seductive in its intellect and humbling in its prose." Michele Aaron
Reading the Bromance: Homosocial Relationships in Film and Television ($32/pbk). Ed. Michael DeAngelis. Wayne State University Press, 2014. Academic pieces that dig into recent portraits in popular media, comic and dramatic, of intimacies between straight(ish) men. Includes the essay "'I Love You, Hombre': Y tu mamá también as Border-Crossing Bromance" by Nick Davis, as well as chapters on Superbad, Humpday, Jackass, The Wire, and other texts. Written for a mixed audience of scholars, students, and non-campus readers. Forthcoming in June 2014. "Remarkably sophisticated essays." Janet Staiger, "Essential reading for anyone interested in contemporary models of gender and sexuality." Harry Benshoff
Fifty Key American Films ($31/pbk). Ed. Sabine Haenni, John White. Routledge, 2009. Includes my essays on The Wild Party, The Incredibles, and Brokeback Mountain. Intended as both a newcomer's guide to the terrain and a series of short, exploratory essays about such influential works as The Birth of a Nation, His Girl Friday, Sweet Sweetback's Baadasssss Song, Taxi Driver, Blade Runner, Daughters of the Dust, and Se7en.
The Cinema of Todd Haynes: All That Heaven Allows ($25/pbk). Ed. James Morrison. Wallflower Press, via Columbia University Press, 2007. Includes the essay "'The Invention of a People': Velvet Goldmine and the Unburying of Queer Desire" by Nick Davis, later expanded and revised in The Desiring-Image. More, too, on Poison, Safe, Far From Heaven, and Haynes's other films by Alexandra Juhasz, Marcia Landy, Todd McGowan, James Morrison, Anat Pick, and other scholars. "A collection as intellectually and emotionally generous as Haynes' films" Patricia White, Swarthmore College
Film Studies: The Basics ($23/pbk). By Amy Villarejo. Routledge, 2006, 2013. Award-winning film scholar and teacher Amy Villarejo finally gives us the quick, smart, reader-friendly guide to film vocabulary that every teacher, student, and movie enthusiast has been waiting for, as well as a one-stop primer in the past, present, and future of film production, exhibition, circulation, and theory. Great glossary, wide-ranging examples, and utterly unpretentious prose that remains rigorous in its analysis; the book commits itself at every turn to the artistry, politics, and accessibility of cinema.
D | |
B | |
C+ |
Chicagoans! This site doesn't even accept advertising, but I'm making an unsolicited exception for the best, freshest, most affordable meal you can enjoy in the Loop, at any time of the day, whether you're on the go or eager to sit. Cuban and Latin American sandwiches, coffees, pastries, salads, shakes, and other treats. Hand-picked, natural, and slow-cooked ingredients. My friendly neighborhood place, a jewel in my life even before the Reader and Time Out figured it out. Visit!
ARCHIVES | ||||||
---|---|---|---|---|---|---|
05 | Jan | Feb | Mar | Apr | May | Jun |
Jul | Aug | Sep | Oct | Nov | Dec | |
06 | Jan | Feb | Mar | Apr | May | Jun |
Jul | Aug | Sep | Oct | Nov | Dec | |
07 | Jan | Feb | Mar | Apr | May | Jun |
Jul | Aug | Sep | Oct | Nov | Dec | |
08 | Jan | Feb | Mar | Apr | May | Jun |
Jul | Aug | Sep | Oct | Nov | Dec | |
09 | Jan | Feb | Mar | Apr | May | Jun |
Jul | Aug | Sep | Oct | Nov | Dec | |
10 | Jan | Feb | Mar | Apr | May | Jun |
Jul | Aug | Sep | Oct | Nov | Dec | |
11 | Jan | Feb | Mar | Apr | May | Jun |
Jul | Aug | Sep | Oct | Nov | Dec | |
12 | Jan | Feb | Mar | Apr | May | Jun |
Jul | Aug | Sep | Oct | Nov | Dec | |
13 | Jan | Feb | Mar | Apr | May | Jun |
Jul | Aug | Sep | Oct | Nov | Dec | |
14 | Jan | Feb | Mar | Apr | May | Jun |
Jul | Aug | Sep | Oct | Nov | Dec | |
15 | Jan | Feb | Mar | Apr | May | Jun |
Jul | Aug | Sep | Oct | Nov | Dec | |
16 | Jan | Feb | Mar | Apr | May | Jun |
Jul | Aug | Sep | Oct | Nov | Dec | |
17 | Jan | Feb | Mar | Apr | May | Jun |
Jul | Aug | Sep | Oct | Nov | Dec | |
18 | Jan | Feb | Mar | Apr | May | Jun |
Jul | Aug | Sep | Oct | Nov | Dec |
Watch this space! Chicago has a new, exciting, important, and totally accessible cadre of queer film critics who are joining forces to bring screenings, special events, and good, queer-focused movie chats to our fair city. Read our mission! Stay tuned for events! Cruise the website, and help get this great new group off the ground by enrolling as a friend (it's free!) and by asking how you can help.
since 5.27.05 |
6 Comments:
This entry's title makes me wonder: Have you seen Vincent Ward's River Queen? I imagine you'd have a field day with that patchwork frankenstein gobbledeegook of a movie. I have never found myself exclaiming "wow! just pretty moss on a rock" more in my life.
just = such
and this is KamikazeCamel, btw. I've reverted back to my given name, obviously.
The posting title reflects how I wish I had seen River Queen, which was never released Stateside. But you know I love it when heavy-hitter actresses start sailing around the Antipodes. And patchwork Frankenstein gobbledeegooks are often up my alley, too, at least a little bit.
mmmm patchwork frankenstein gobbledeegooks. always enticing! or at least reliably discussion-worthy
You guys really have no idea what River Queen is like. It's just so bizarre. So many slo-mo shots of moss on rocks or water trickling over rocks or people staring at rocks and then Samantha Morton being weird and Keifer Sutherland's dreadful undecipherable performance. It's all a bit discombobulating.
But, yes, all the shots of moss on rocks are very pretty.
I know it's hard to see how this could be the case, and I can easily see how wrong this could all go, but you're actually making me more excited to see the movie. Samantha Morton being weird + MossCam? I'm all over it. If U.S. distributors ever help me out.
Post a Comment
<< Home