Nick's Flick Picks: The Blog
A film blog under the influence
Labels: Awards 2008, Best Supporting Actor, Best Supporting Actress, Dianne Wiest, Marisa Tomei
posted by NicksFlickPicks at 8:00 AM
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MY PROFILE THE LATEST THE BEST THE FAVORITES THE WOMEN THE REST |
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The Desiring-Image: Gilles Deleuze and Contemporary Queer Cinema ($30/pbk). By Nick Davis. Oxford University Press, 2013.
The book that earned me tenure at Northwestern. Offers a new theoretical model of queer film, born from Gilles Deleuze's rarely-integrated notions of cinema and desire. Chapter-length readings of
Dead Ringers,
Naked Lunch, Shortbus, The Watermelon Woman, Brother to Brother, Beau travail, and
Velvet Goldmine, plus other films along the way! Written for a scholarly audience but hopefully interesting to anyone curious about recent cinema, ideas about desire, or LGBT aesthetics and politics. "Important and needed work...Deeply original." —D.N. Rodowick, "Seductive in its intellect and humbling in its prose." —Michele Aaron
Reading the Bromance: Homosocial Relationships in Film and Television ($32/pbk). Ed. Michael DeAngelis. Wayne State University Press, 2014.
Academic pieces that dig into recent portraits in popular media, comic and dramatic, of intimacies between straight(ish) men. Includes the essay
"'I Love You, Hombre': Y tu mamá también as Border-Crossing Bromance" by Nick Davis, as well as chapters on Superbad, Humpday, Jackass, The Wire, and other texts. Written for a mixed audience of scholars, students, and non-campus readers. Forthcoming in June 2014. "Remarkably sophisticated essays." —Janet Staiger, "Essential reading for anyone interested in contemporary models of gender and sexuality." —Harry Benshoff
Fifty Key American Films ($31/pbk). Ed. Sabine Haenni, John White. Routledge, 2009. Includes my essays on
The Wild Party,
The Incredibles, and
Brokeback Mountain. Intended as both a newcomer's guide to the terrain
and a series of short, exploratory essays about such influential works as The Birth of a Nation, His Girl Friday, Sweet Sweetback's Baadasssss Song,
Taxi Driver, Blade Runner, Daughters of the Dust, and Se7en.
The Cinema of Todd Haynes: All That Heaven
Allows ($25/pbk). Ed. James Morrison. Wallflower Press, via Columbia University Press, 2007. Includes the essay
"'The Invention of a People': Velvet Goldmine and the Unburying of Queer Desire" by Nick Davis, later expanded and revised in The Desiring-Image.
More, too, on Poison, Safe, Far From Heaven, and Haynes's other films by Alexandra Juhasz, Marcia Landy,
Todd McGowan, James Morrison, Anat Pick, and other scholars. "A collection as intellectually and emotionally
generous as Haynes' films" —Patricia White, Swarthmore College
Film Studies:
The Basics ($23/pbk). By Amy Villarejo. Routledge, 2006, 2013. Award-winning
film scholar and teacher Amy Villarejo finally gives us the quick, smart, reader-friendly guide to film vocabulary that every
teacher, student, and movie enthusiast has been waiting for, as well as a one-stop primer in the past, present, and future of film production, exhibition,
circulation, and theory. Great glossary, wide-ranging examples, and utterly unpretentious prose that remains rigorous in its analysis;
the book commits itself at every turn to the artistry, politics, and accessibility of cinema.
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Chicagoans! This site doesn't even accept advertising, but I'm making an unsolicited exception for the best, freshest, most affordable meal you can enjoy in the Loop, at any time of the day, whether you're on the go or eager to sit. Cuban and Latin American sandwiches, coffees, pastries, salads, shakes, and other treats. Hand-picked, natural, and slow-cooked ingredients. My friendly neighborhood place, a jewel in my life even before the Reader and Time Out figured it out. Visit!
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Watch this space! Chicago has a new, exciting, important, and totally accessible cadre of queer film critics who are joining forces to bring screenings, special events, and good, queer-focused movie chats to our fair city. Read our mission! Stay tuned for events! Cruise the website, and help get this great new group off the ground by enrolling as a friend (it's free!) and by asking how you can help.
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since 5.27.05 |
6 Comments:
Cracking lists as ever. I completely share your enthusiasm for Brolin, Striesow (yay!) and Irwin, and you're really onto something with the Demme-ishness of that character. He's so anxious to be as nice as possible.
Quite surprised with the Downey pick, though I suppose I agree that being at all funny in Tropic Thunder was quite an achievement.
I'll do my own lists soon, maybe.
Striesow reminds me a lot of someone I went out with. He's really dream-like but not really in a romantic way.
It's a weird one. I like Yella a lot but I did constantly find it hard to buy the post-crash story as genuine, which proves right I suppose. He's definitely responsible for this in part, since he feels so distant and inpenetrable despite him being the love interest/partner. But I imagine that's exactly what he was asked to be.
the write up on Irwin is pretty insightful and after all the time i've spent thinking about this movie you still find something to say about it that i hadn't thought of.
bravo.
so glad we agree on this one -- even if i love it even more ;)
What an inspired Supporting Actress list ... and bravo for singling out Rachel.
To be honest, I could almost fill this ballot with the ladies of "Synecdoche, New York." You can't go wrong picking anyone from that cast, though I'd probably lean more towards Samantha Morton, followed by Michelle Williams, than Wiest.
By Rachel, I mean Rachel Regulier, not Rosemarie DeWitt ... though the latter lady remains easily my favourite thing about "Rachel Getting Married."
A huge yay for Lena Olin as a finalist. I was so excited to see her in something decent since, well, Alias (circa 2002) and had no idea she was even in the movie until the trailer.
In a world where Revolutionary Road doesn't exist, Olin would have a decent chance at a nomination. But, she's seriously great in the movie and a highly underrated actress in general.
Has everybody forgotten The Unbearable Lightness of Being?
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