We Are One
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Labels: Awards 2008, Soapbox
A film blog under the influence
Labels: Awards 2008, Soapbox
posted by NicksFlickPicks at 7:00 PM
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MY PROFILE THE LATEST THE BEST THE FAVORITES THE WOMEN THE REST |
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The Desiring-Image: Gilles Deleuze and Contemporary Queer Cinema ($30/pbk). By Nick Davis. Oxford University Press, 2013.
The book that earned me tenure at Northwestern. Offers a new theoretical model of queer film, born from Gilles Deleuze's rarely-integrated notions of cinema and desire. Chapter-length readings of
Dead Ringers,
Naked Lunch, Shortbus, The Watermelon Woman, Brother to Brother, Beau travail, and
Velvet Goldmine, plus other films along the way! Written for a scholarly audience but hopefully interesting to anyone curious about recent cinema, ideas about desire, or LGBT aesthetics and politics. "Important and needed work...Deeply original." D.N. Rodowick, "Seductive in its intellect and humbling in its prose." Michele Aaron
Reading the Bromance: Homosocial Relationships in Film and Television ($32/pbk). Ed. Michael DeAngelis. Wayne State University Press, 2014.
Academic pieces that dig into recent portraits in popular media, comic and dramatic, of intimacies between straight(ish) men. Includes the essay
"'I Love You, Hombre': Y tu mamá también as Border-Crossing Bromance" by Nick Davis, as well as chapters on Superbad, Humpday, Jackass, The Wire, and other texts. Written for a mixed audience of scholars, students, and non-campus readers. Forthcoming in June 2014. "Remarkably sophisticated essays." Janet Staiger, "Essential reading for anyone interested in contemporary models of gender and sexuality." Harry Benshoff
Fifty Key American Films ($31/pbk). Ed. Sabine Haenni, John White. Routledge, 2009. Includes my essays on
The Wild Party,
The Incredibles, and
Brokeback Mountain. Intended as both a newcomer's guide to the terrain
and a series of short, exploratory essays about such influential works as The Birth of a Nation, His Girl Friday, Sweet Sweetback's Baadasssss Song,
Taxi Driver, Blade Runner, Daughters of the Dust, and Se7en.
The Cinema of Todd Haynes: All That Heaven
Allows ($25/pbk). Ed. James Morrison. Wallflower Press, via Columbia University Press, 2007. Includes the essay
"'The Invention of a People': Velvet Goldmine and the Unburying of Queer Desire" by Nick Davis, later expanded and revised in The Desiring-Image.
More, too, on Poison, Safe, Far From Heaven, and Haynes's other films by Alexandra Juhasz, Marcia Landy,
Todd McGowan, James Morrison, Anat Pick, and other scholars. "A collection as intellectually and emotionally
generous as Haynes' films" Patricia White, Swarthmore College
Film Studies:
The Basics ($23/pbk). By Amy Villarejo. Routledge, 2006, 2013. Award-winning
film scholar and teacher Amy Villarejo finally gives us the quick, smart, reader-friendly guide to film vocabulary that every
teacher, student, and movie enthusiast has been waiting for, as well as a one-stop primer in the past, present, and future of film production, exhibition,
circulation, and theory. Great glossary, wide-ranging examples, and utterly unpretentious prose that remains rigorous in its analysis;
the book commits itself at every turn to the artistry, politics, and accessibility of cinema.
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C+ |
Chicagoans! This site doesn't even accept advertising, but I'm making an unsolicited exception for the best, freshest, most affordable meal you can enjoy in the Loop, at any time of the day, whether you're on the go or eager to sit. Cuban and Latin American sandwiches, coffees, pastries, salads, shakes, and other treats. Hand-picked, natural, and slow-cooked ingredients. My friendly neighborhood place, a jewel in my life even before the Reader and Time Out figured it out. Visit!
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Watch this space! Chicago has a new, exciting, important, and totally accessible cadre of queer film critics who are joining forces to bring screenings, special events, and good, queer-focused movie chats to our fair city. Read our mission! Stay tuned for events! Cruise the website, and help get this great new group off the ground by enrolling as a friend (it's free!) and by asking how you can help.
since 5.27.05 |
5 Comments:
I enjoy seeing your nominees; Burn After Reading, Elegy, Rachel Getting Married and particularly Snow Angels getting noticed. (I have yet to see Synecdoche, New York yet, but I'll trust you.)
Once more, it's nice to see that somebody remembers the beginning of the year.
I would personally give notice to Doubt, even though nobody else liked this movie as much I did, but I think the small actors played their parts wonderfully without taking away from the three leads. Or two lead and supporting. Or one lead and two supporting. The main three actors.
Ha! Even though you know how I feel about "Rachel Getting Married," I love that sly observation about Tamyra Gray's role.
Can we call it the best performance by an American Idol alumnus to date?
At the risk of gushing like a blurb whore, I feel it necessary at this point to say
you write like...
the acting in Burn After Reading ("lavishly entertaining!")
the acting in Elegy
("the cadence and mien of academic life")
the acting in Rachel Getting Married
("context and color!")
the acting in Snow Angels
("fully persuasive!")
the acting in Synecdoche New York
("nuanced with lots of feeling!")
and you have made my own awards so much harder now that I have ensemble coming up.
Curse you!
(with love)
@Brooke: Thanks for this comment, and I'm glad to see that I've coaxed some Snow Angels fandom out of the woodwork.
@Guy: I'm okay with that designation, and I'm sure Tamyra would be, too.
@Nathaniel, you clever fox: This is maybe my favorite comment ever. You're a doll.
Oh! Oh! I didn't notice the absence of Milk in this category, even in your honourable mentions. Did you not like the ensemble, or think they were too patchy and uneven in terms of quality, or think that they didn't jockey with one another enough for it to count as an ensemble, or think that they weren't challenged enough to be awards-worthy? Or something else I haven't thought of?
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