Nick's Flick Picks: The Blog
A film blog under the influence
Labels: Music
posted by NicksFlickPicks at 3:00 PM
 |
|
|---|---|
|
MY PROFILE THE LATEST THE BEST THE FAVORITES THE WOMEN THE REST |
| Follow @NicksFlickPicks | |
The Desiring-Image: Gilles Deleuze and Contemporary Queer Cinema ($30/pbk). By Nick Davis. Oxford University Press, 2013.
The book that earned me tenure at Northwestern. Offers a new theoretical model of queer film, born from Gilles Deleuze's rarely-integrated notions of cinema and desire. Chapter-length readings of
Dead Ringers,
Naked Lunch, Shortbus, The Watermelon Woman, Brother to Brother, Beau travail, and
Velvet Goldmine, plus other films along the way! Written for a scholarly audience but hopefully interesting to anyone curious about recent cinema, ideas about desire, or LGBT aesthetics and politics. "Important and needed work...Deeply original." —D.N. Rodowick, "Seductive in its intellect and humbling in its prose." —Michele Aaron
Reading the Bromance: Homosocial Relationships in Film and Television ($32/pbk). Ed. Michael DeAngelis. Wayne State University Press, 2014.
Academic pieces that dig into recent portraits in popular media, comic and dramatic, of intimacies between straight(ish) men. Includes the essay
"'I Love You, Hombre': Y tu mamá también as Border-Crossing Bromance" by Nick Davis, as well as chapters on Superbad, Humpday, Jackass, The Wire, and other texts. Written for a mixed audience of scholars, students, and non-campus readers. Forthcoming in June 2014. "Remarkably sophisticated essays." —Janet Staiger, "Essential reading for anyone interested in contemporary models of gender and sexuality." —Harry Benshoff
Fifty Key American Films ($31/pbk). Ed. Sabine Haenni, John White. Routledge, 2009. Includes my essays on
The Wild Party,
The Incredibles, and
Brokeback Mountain. Intended as both a newcomer's guide to the terrain
and a series of short, exploratory essays about such influential works as The Birth of a Nation, His Girl Friday, Sweet Sweetback's Baadasssss Song,
Taxi Driver, Blade Runner, Daughters of the Dust, and Se7en.
The Cinema of Todd Haynes: All That Heaven
Allows ($25/pbk). Ed. James Morrison. Wallflower Press, via Columbia University Press, 2007. Includes the essay
"'The Invention of a People': Velvet Goldmine and the Unburying of Queer Desire" by Nick Davis, later expanded and revised in The Desiring-Image.
More, too, on Poison, Safe, Far From Heaven, and Haynes's other films by Alexandra Juhasz, Marcia Landy,
Todd McGowan, James Morrison, Anat Pick, and other scholars. "A collection as intellectually and emotionally
generous as Haynes' films" —Patricia White, Swarthmore College
Film Studies:
The Basics ($23/pbk). By Amy Villarejo. Routledge, 2006, 2013. Award-winning
film scholar and teacher Amy Villarejo finally gives us the quick, smart, reader-friendly guide to film vocabulary that every
teacher, student, and movie enthusiast has been waiting for, as well as a one-stop primer in the past, present, and future of film production, exhibition,
circulation, and theory. Great glossary, wide-ranging examples, and utterly unpretentious prose that remains rigorous in its analysis;
the book commits itself at every turn to the artistry, politics, and accessibility of cinema.
| D | |
| B | |
| C+ |
Chicagoans! This site doesn't even accept advertising, but I'm making an unsolicited exception for the best, freshest, most affordable meal you can enjoy in the Loop, at any time of the day, whether you're on the go or eager to sit. Cuban and Latin American sandwiches, coffees, pastries, salads, shakes, and other treats. Hand-picked, natural, and slow-cooked ingredients. My friendly neighborhood place, a jewel in my life even before the Reader and Time Out figured it out. Visit!
| ARCHIVES | ||||||
|---|---|---|---|---|---|---|
| 05 | Jan | Feb | Mar | Apr | May | Jun |
| Jul | Aug | Sep | Oct | Nov | Dec | |
| 06 | Jan | Feb | Mar | Apr | May | Jun |
| Jul | Aug | Sep | Oct | Nov | Dec | |
| 07 | Jan | Feb | Mar | Apr | May | Jun |
| Jul | Aug | Sep | Oct | Nov | Dec | |
| 08 | Jan | Feb | Mar | Apr | May | Jun |
| Jul | Aug | Sep | Oct | Nov | Dec | |
| 09 | Jan | Feb | Mar | Apr | May | Jun |
| Jul | Aug | Sep | Oct | Nov | Dec | |
| 10 | Jan | Feb | Mar | Apr | May | Jun |
| Jul | Aug | Sep | Oct | Nov | Dec | |
| 11 | Jan | Feb | Mar | Apr | May | Jun |
| Jul | Aug | Sep | Oct | Nov | Dec | |
| 12 | Jan | Feb | Mar | Apr | May | Jun |
| Jul | Aug | Sep | Oct | Nov | Dec | |
| 13 | Jan | Feb | Mar | Apr | May | Jun |
| Jul | Aug | Sep | Oct | Nov | Dec | |
| 14 | Jan | Feb | Mar | Apr | May | Jun |
| Jul | Aug | Sep | Oct | Nov | Dec | |
| 15 | Jan | Feb | Mar | Apr | May | Jun |
| Jul | Aug | Sep | Oct | Nov | Dec | |
| 16 | Jan | Feb | Mar | Apr | May | Jun |
| Jul | Aug | Sep | Oct | Nov | Dec | |
| 17 | Jan | Feb | Mar | Apr | May | Jun |
| Jul | Aug | Sep | Oct | Nov | Dec | |
| 18 | Jan | Feb | Mar | Apr | May | Jun |
| Jul | Aug | Sep | Oct | Nov | Dec | |
Watch this space! Chicago has a new, exciting, important, and totally accessible cadre of queer film critics who are joining forces to bring screenings, special events, and good, queer-focused movie chats to our fair city. Read our mission! Stay tuned for events! Cruise the website, and help get this great new group off the ground by enrolling as a friend (it's free!) and by asking how you can help.
|
|
|
|
|
|
|
since 5.27.05 |
9 Comments:
I think that it's at 005 that he reveals just how good it's going to get before it's all over.
I agree. And I'd further contend that 008 picks up the promising thread of 005, and that my love is secured definitively at 013.
I would be remiss if I didn't profess love for 021 and 026, too. As well as the ones where he's obviously gone home for Winter Break and is in his parents' garage. I would also be remiss if I didn't admit that I've now watched this thing three times all the way through. And that it makes me miss grad school.
You know, the only thing I really actually miss about grad school is the dancing (including the people involved in the dancing).
i miss the dancing peeps too & the fact that my living room was like a mini-version of soul train.
off for my 6th (or maybe it's my 7th viewing) of this. i love how he totally brings it for "bootylicious"
ksm
I also miss the fact that we got the cops called on us when we danced in your living room. Sigh.
i know!!! this vid is now giving me the sads b/c as my/our bday's are coming up in april, i'm like we totally need to have a dance party....dare i try to get my peeps here to shake what there mamas gave 'em? ;)
and it's obviously totally past my bedtime since i can no longer distinguish between there & their! yikes!!
I cannot get enough of this guy. 026 is the moment where it really takes off, for me. I also love 056 'cause of the hat and the Christmas lights, the dog at 061, how long 064 lasts and that hideous/inspired cat t-shirt he wears on two separate occasions. Also, have it be known I totally lost my shit at 098, because they're my absolute number one favourite band ever.
I have to express love for 012 and 033 because of the backdrops. It's like he's part of an art installation.
I love that 020 the outfit is perfect for the YAZ song. cardigans with a button up. wheeeee
i love the manstrobelight of 037
059 simply because it's one of THE songs of my life.
and I agree with Catherine on the dog cameo highlight of 061
and i love 068 for surprising me so thoroughly and preparing me for 100.
Post a Comment
<< Home