The Curious Case of the Criterion Collection
Labels: DVD
A film blog under the influence
Labels: DVD
posted by NicksFlickPicks at 10:00 AM
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MY PROFILE THE LATEST THE BEST THE FAVORITES THE WOMEN THE REST |
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The Desiring-Image: Gilles Deleuze and Contemporary Queer Cinema ($30/pbk). By Nick Davis. Oxford University Press, 2013. The book that earned me tenure at Northwestern. Offers a new theoretical model of queer film, born from Gilles Deleuze's rarely-integrated notions of cinema and desire. Chapter-length readings of Dead Ringers, Naked Lunch, Shortbus, The Watermelon Woman, Brother to Brother, Beau travail, and Velvet Goldmine, plus other films along the way! Written for a scholarly audience but hopefully interesting to anyone curious about recent cinema, ideas about desire, or LGBT aesthetics and politics. "Important and needed work...Deeply original." D.N. Rodowick, "Seductive in its intellect and humbling in its prose." Michele Aaron
Reading the Bromance: Homosocial Relationships in Film and Television ($32/pbk). Ed. Michael DeAngelis. Wayne State University Press, 2014. Academic pieces that dig into recent portraits in popular media, comic and dramatic, of intimacies between straight(ish) men. Includes the essay "'I Love You, Hombre': Y tu mamá también as Border-Crossing Bromance" by Nick Davis, as well as chapters on Superbad, Humpday, Jackass, The Wire, and other texts. Written for a mixed audience of scholars, students, and non-campus readers. Forthcoming in June 2014. "Remarkably sophisticated essays." Janet Staiger, "Essential reading for anyone interested in contemporary models of gender and sexuality." Harry Benshoff
Fifty Key American Films ($31/pbk). Ed. Sabine Haenni, John White. Routledge, 2009. Includes my essays on The Wild Party, The Incredibles, and Brokeback Mountain. Intended as both a newcomer's guide to the terrain and a series of short, exploratory essays about such influential works as The Birth of a Nation, His Girl Friday, Sweet Sweetback's Baadasssss Song, Taxi Driver, Blade Runner, Daughters of the Dust, and Se7en.
The Cinema of Todd Haynes: All That Heaven Allows ($25/pbk). Ed. James Morrison. Wallflower Press, via Columbia University Press, 2007. Includes the essay "'The Invention of a People': Velvet Goldmine and the Unburying of Queer Desire" by Nick Davis, later expanded and revised in The Desiring-Image. More, too, on Poison, Safe, Far From Heaven, and Haynes's other films by Alexandra Juhasz, Marcia Landy, Todd McGowan, James Morrison, Anat Pick, and other scholars. "A collection as intellectually and emotionally generous as Haynes' films" Patricia White, Swarthmore College
Film Studies: The Basics ($23/pbk). By Amy Villarejo. Routledge, 2006, 2013. Award-winning film scholar and teacher Amy Villarejo finally gives us the quick, smart, reader-friendly guide to film vocabulary that every teacher, student, and movie enthusiast has been waiting for, as well as a one-stop primer in the past, present, and future of film production, exhibition, circulation, and theory. Great glossary, wide-ranging examples, and utterly unpretentious prose that remains rigorous in its analysis; the book commits itself at every turn to the artistry, politics, and accessibility of cinema.
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Watch this space! Chicago has a new, exciting, important, and totally accessible cadre of queer film critics who are joining forces to bring screenings, special events, and good, queer-focused movie chats to our fair city. Read our mission! Stay tuned for events! Cruise the website, and help get this great new group off the ground by enrolling as a friend (it's free!) and by asking how you can help.
since 5.27.05 |
9 Comments:
Indeed, I complain quite cantankerously about the same thing here. To your credit, you keep the language clean.
Not a great move, but it's decidedly less shameless than having Michael Bay in the collection (I still shudder when I hear folks mention "The Rock" as an example of THE Criterion to own...in those instances it's probably the ONLY one they own). And, as I point out, t'will only provide more funds for their superlative work, so s'ok by me, basically.
:( Their choices are odd sometimes.. Ah well. What are we to do?
I just finished O'Connor's Wise Blood. I thought it was incredible. Are you a fan of her work?
@Joseph/Jon: You're probably right on the money (literally) with this call.
@David: Not only am I a fan, I teach Wise Blood in my American lit survey, which I'm just kicking off right now, As I Lay Dying-style. I wish the WB DVD were premiering in time to use it in my course, but sadly, no. And my entreaties to the Criterion Co. for an advanced copy came to nothing. What ever happened to taking pity on our teachers?
I get the sense from you that if they were taking pity on the teachers, they'd be releasing a different slate of DVDs altogether...
"Still, at the end of the day it will generate considerable moola for Criterion, who will then convert that cash into the much-needed foreign and indie releases we hold so dear, with superior transfers and transcendent extras."
Right on! If it provides them with the funds to get my beloved Shanghai Express on DVD, I'm all for Ben Button.
- Michael Shetina
It doesn't help you get the Criterion Disc early, but The Movie Channel (which is part of the Showtime tier on cable and satellite systems) is showing Wise Blood this month. I know it shows today (even in HD at one point), and I believe it shows next week as well.
As for Benjamin Button, I didn't hate it like a lot of people did. I thought it was fairly intriguing, more interesting to think about than watch, with a lot of good sequences and a lot of crap ones. (Also, it was fun seeing someone my sister photographed at a wedding onscreen in a big, honest-to-God Oscar-bait movie.) It's not the type of film that would seem like it would be a really good addition to the Criterion Collection, although of 2008 films, only Hunger seems like a good candidate to me. (Maybe Boy A also. I would say Gran Torino, which I loved, but I don't really need anything beyond the film itself with top-notch audio and video, and Warner always delivers on that front.)
But as has been mentioned before, if it helps them dig through the Paramount vault, then it'll be worth it. I'd bet that with a Paramount relationship, Criterion can release Bergman's Face to Face.
Ha, I knew this would get a rise out of you! You've been missed lately, by the way.
On another note, I was interested to see your very generous grade for "Gomorrah" ... from your description of your ill-fated first attempt to view the film in London, I wasn't anticipating that much enthusiasm.
Joseph/Nick,
I think it's overly critical to say that whoever owns Criterion's edition of "The Rock" doesn't own any other films from them. They probably also have Michael Bay's "Armageddon" :)
Proof that anything Kent Jones likes TURNS TO GOLD.
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