The Fifties 2014: Supporting Actress, Cinematography, Original Screenplay, Art Direction

SUPPORTING ACTRESS

JOE'S PICKS:

Patricia Arquette, Boyhood: Because shouldering an entire alternate perspective isn't easy, and she sells her big moments.

Jillian Bell, 22 Jump Street: For going all Rebel Wilson on this shit, stealing the entire movie, and probably booking herself about six further gigs.

Emily Blunt, Edge of Tomorrow: For handling the tricky balance of both subject and object at once. Parcels herself out incredibly smartly.

Gaby Hoffmann, Obvious Child: For continuing the Hoffmannassaince with a whole bunch of new colors and a quiet confidence of someone who can steal scenes without really trying to steal scenes.

Tilda Swinton, Snowpiercer: For getting on a tricky wavelength and going for it, like she always does, and succeeding, like she pretty much always does. And some spillover goodwill for Only Lovers Left Alive, sure, yes.

Runners Up: Krysten Ritter, Veronica Mars; Mia Wasikowska, Only Lovers Left Alive; Melanie Lynskey, Happy Christmas; Kathy Bates, Tammy

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